St. Andrew’s Director of Music, Earl Moffitt, writes:
Visiting St. Andrew’s in 1988 for the first time remains clearly etched in my mind. Dan Pope was Chaplain, the Service was memorably reverential and dignified, the sermon exceptionally thought provoking whilst the congregational singing was participative and enthusiastic. Countless visits later, and in the spring of 2015 with retirement from my professional career looming, the Rev’d Wendy invited me to consider the position of Director of Music at St. Andrew’s.
In the light of subsequent experience, with so much practical support on the ground and the wonders of modern technology, it is possible for me to be playing the organ in two places at once on a Sunday morning! In St. Andrew’s the modern digital organ has a most useful sequencer facility for recording and playback of hymns which enhances congregational singing on occasions when no organist is present.
In the early part of 2016 I was delighted that the church council unanimously approved my request to have the organ console and choir resited at the west end of the church, just under the rear speakers. Notwithstanding the remarkable sound improvements and togetherness of organist and choir members, music which is led from behind greatly encourages congregational singing whilst musicians and singers remain no distraction to what is happening in the sanctuary during worship.
The most important function we share as both organist and choir is to lead and encourage the congregation to sing with enjoyment and understanding in the praise and worship of God. Participation in our choir ministry is primarily based on these principles, along with a desire to improve what we do each time we meet, trusting also that we may be an avenue for introducing outsiders to the church and the faith.
With all of this in mind, in June 2016, following consultation & support from Rev’d Wendy and choir members, we held our first St. ANDREW’S MUSIC WEEK. Feedback from our guest facilitator, Gordon Appleton, a former director with the a Royal School of church music, was as follows:
“I was impressed by the enthusiasm of the choir who sang in four parts the psalm and the lovely Bach chorale during communion. I do hope that some four part singing will continue to feature in the choir repertoire. The anthem He came singing love which was in two vocal parts was most effective, and the singers performed the piece with accuracy and expression and it came across with a deep feeling for the words and music. I hope that the congregation found this a helpful enhancement to Sunday’s worship. Clearly, psalm singing to Anglican chant was a challenge, but the singers persevered and sang this well during the service. Having mastered the principles of chanting, I hope that they will continue to use it from time to time. Chanting need not be in four parts, but confident unison singing, accompanied by the organ would, I suggest, be a good way forward. I was pleased that at the Eucharist we were able to introduce one of the oldest Christian melodies in the dialogue “Sursum Corda” between priest and congregation. This simply reminds us of our rich Christian tradition of plainsong going back to the very beginnings of our heritage.
“I appreciated the chaplain’s sensitive leading of the worship, lay participation through the excellent lesson reading and the thoughtful and carefully prepared leading of the prayers. Worship is perhaps the most important activity of a Christian, ‘our duty and delight’, and at St. Andrew’s it was apparent that it was taken seriously, with due reverence, pointing away from ourselves to the Creator. I appreciate that Anglicans worship in different styles which need to have their place in the chaplaincy, but I thought Sunday’s worship was a beautiful act of worship, and this is in no small way because of the sensitivities, experience and understanding of the chaplain. It was good to hear good congregational singing, not just in the hymns but in the Eucharistic propers.
“Clearly the fact that so many of the congregation at St. Andrew’s are not in Cyprus permanently inevitably has an effect on the music. However, I thought that the Songs of Praise service was most successful and this can be a good model for future occasional services. Not only is this a good way of building the church community, but is a great opportunity to teach the congregation new music. I am sure that as Director of Music, Earl will build on the enthusiasm of the singers, and Wendy will continue to take such care over the worship that St. Andrew’s will continue to inspire in the years ahead.
“Thank you for the privilege of involving me in the worship and life of St. Andrew’s.”
We were deeply saddened to hear of the sudden death of Gordon Appleton on Easter Day, 1st April 2018. Gordon was a true gentleman whose thoughtfulness, patience, talent and inspiration will not be forgotten. He will be sorely missed.
Eternal rest grant unto him, O Lord
and let light perpetual shine upon him.
Following on from the success of Music Week 2016, May 2017 saw the arrival of talented young French musician NykkÖ-Mickael Grégoire for Music Week 2017.
The week began on Tuesday 23rd May with a Festival of Favourite Hymns hosted by the Chaplain, the Revd Wendy Hough, with NykkÖ as organist and recitalist. The hymns were chosen by members of the congregation. This delightful evening ended with refreshments served in the south transept.
Thursday 25th May 2017 was the Feast of the Ascension of Our Lord. It was celebrated by a Festal Choral Eucharist which replaced the normally contemplative regular 10.00am Thursday service of Holy Communion. On Thursday evening The Ascension Day Concert featured NykkÖ, the St. Andrew’s Church Choir, directed by Earl Moffitt, with John Crothers as organist when NykkÖ accompanied the choir on cello.
The evening included the world premiere of Anthem for Kyrenia written by NykkÖ especially for the St. Andrew’s Music Week 2017 and dedicated to Earl Moffitt and the Revd Wendy. Sung by the Choir, the piece is based on Hebrews 13:2: Be not forgetful to entertain strangers, for thereby some have entertained angels unawares. [KJV].
Choir rehearsals are held on Thursday afternoons from 2.15 to 3.30pm in the weeks preceding special events and routinely on Sunday morning at 9.45am. Recruitment to the choir is by means of a simple voice test for two very good reasons:
- to ensure that those wishing to join are singing in tune (music reading or part singing, whilst beneficial are not prerequisites)
- of equal importance to singing in tune is establishing that potential members will be team players, prepared to commit to rehearsal and Service attendance.We do of course accept that many members will, like myself, not be on the island every week!
Thursday 7th June
10:00 AM CHORAL EUCHARIST
19:30 Evening of Favourite Hymns & Organ music.
Friday 8th June
19:30 Choral & Organ Music Concert with St. Columba as it’s theme
Sunday 10th June
10:30 Concluding FESTAL EUCHARIST – celebrating St. Barnabas
The most recent improvement to our music making in St. Andrew’s is a most welcome and unexpected donation allowing local expert craftsmen to create a bespoke overhead speaker cabinet, high up on the west wall of the church, just below the eaves. The cabinet has been created to match not only the recently donated bespoke choir stalls below, but also the railings at the front of the church. Apart from the huge aesthetic improvement than heretofore, listeners with a keen ear will detect an improvement in sound quality too. All adding to our reputation of having ‘the best organ in Cyprus’
Director of Music